Monday, November 28, 2022

the earth abides as pure poetry

 The Bible says the "Earth abides," and history teaches us that people change. The landscape of the beautiful St. Croix River is a product of abiding persistent nature, and the restless, changeable human societies that have called the valley home. The St. Croix is what we have made it, and it will be what we dream it to become. 

---North Woods River, The St. Croix River in Upper Midwest History, by McMahon & Karamanski



 During a trip this fall to Minnesota, I spent a couple days camping in a camper van on the Wisconsin side of the St. Croix River. I sat by the river for hours. My mind quieted and I watched as nature unveiled her treasure chest of beauty:

an eagle flew back and forth, low over some trees to the left of me

a heron stepped in the slough, croaked and took flight

startled by the sudden sound of wings I turned to see, not more than twenty feet away, three wild turkeys flying across the slough to the island

the splash of  jumping fish and the sound of leaves dropping on the sand - yes, I could really hear them drop!

a very small critter swimming...it climbed out of the water onto the sandy bank of the island, and before it disappeared into the willows, I saw it had an orangish, bushy tail like a squirrel - can squirrels swim? Yes, they can, I found out, though I'm not sure whether what I saw was a squirrel or some other creature.

thoughts slowed down as my senses woke up. I listened as a language older than words spoke to me: images, touch, scents, sounds

watching the river flow past me, mind drifting,  nostalgic thoughts arising, remembering my youth from the vantage point of my 7th decade:  yes, I thought, "the earth abides"  and "the river flows"  

sameness and change, the transitory nature of existence

everything has become wonderfully and alarmingly poignant to me since I turned 70 


 gradually, imperceptibly, comes the dawn 

                  slowly, quietly, the light darkens to night

between these two great delineations

               our lives flash like a shooting star

 

 


 

 Return

 

here in this lost Wisconsin river valley

a vast shushing sound surrounds

oak, ash, maple, birch, 

wild cherry, basswood, white pine

 

the forest murmurs

erupts in sudden gusts

leaves trembling

 blinking dark and light

 

down in the river bottomlands

gentle breezes

yellow leaves take flight

 

heron steps

                         steps

     Aaawughk!      

- gone from my sight

 

three wild turkeys flap wide wings

across the slough

to island’s safe cover

 

splash of fish

scent of willows,

 wild mint and river mud

 

the river is a moving mirror

reflecting clouds in sky’s blue,

 arching tree limbs 

 green leafy canopies

upstream forest detritus

speckles the glassy surface

 

the river is a cold, dark current

excavating new channels

shifting familiar sandbars

stalling in backwaters

 

I walked the forest road

down to the slough

where the clearing opened before me - 

 anteroom of Eden

river of my youth

 

an eagle showed itself

in soaring flight over the trees

I dipped my hands into the river

and my tears began to flow

 

I have gone far away

I have failed and succeeded

I have gained and lost

I am growing old,

imperceptibly

 

yet still, 

just the river

still, just me

 

 


Thursday, November 3, 2022

Fall

 

The following entries are poems and journal writings from my youth in the 1970's 

 

A Walk in the Woods

                                                       

We arrive in the afternoon…

the day is bright and crisp.

We begin to walk, each a separate path.

I go to the skeletal woods

where summer’s lush green

has dried up and dropped to the ground.

Every foot step crackles in the leaves,

squirrels sound as big as deer.

 

I have brought the city with me:

my thoughts are of work, of anger, of worry.

I keep walking, feeling how good

it is just to breathe, just to breathe.

A breath of wind

I stop to listen

then turn to see a deer

standing, whole and perfect

in the middle of the road.

We stare silently

then he bounds into the forest

white tail lifted high.

I walk on

see more deer -

the woods are full of deer.

 

I am tired.

I lie down in the forest

close my eyes and become still.

After a while I become aware

of a sound that has been going on for some time.

I open my eyes –

A big buck is approaching.

He hasn’t seen me yet.

He walks slowly

he is alone.

He sees me -

runs a few paces

stops to stare

then slowly walks away

retracing his path with light, hopping steps.

 

I rise, see how close the sun is to setting

and head homewards

through the forest.

At first, I walk with no path

with only the knowledge of the river bluffs to guide me.

Then I cross and follow deer paths.

The sun has set.

I watch the horizon

the forest darkens

 

 

 Nov 5, 1977   Journal entry

Saturday 

I saw no deer. I walked down by the river, back into the slough, all things brown until I got to the springs seeping out at the base of the bluff. The quiet seepage building into little trickles, gathering into little streams flowing into river bottomlands sloughs and finally into the river. So peaceful – watercress so green where the water ran, and such good water. I sat for a long, long time. Heard shooting in the distance.

 

Sunday 

I went walking, early. Brand new, wet mist falling, all things glistening, the colors rich and dark, the fields and all the countryside so beautiful. All weekend I’d been walking, doing nothing but walking, soaking in the softness and beauty of the country like a dry sponge. I was part of it all. I was enthralled by the bright green of a mullein plant among all the fall hues of brown, – a strong, yet delicate presence in the landscape, the listening ear of the fields. Sumac, deep red rain-soaked berries, and all the autumn colors of reds to browns to greys - all so beautiful.

I walked back, came to the top of a hill, stood to look upon the land. Val walking below, beautiful red hair. She made her way up the hill to me, we faced each other – she glowing, beautiful. Our meeting did not break the spell of silence. We spoke a few words. She seemed to have something to say, yet didn’t speak and I didn’t ask. We walked back to the cabin. After a while she said she’d seen a dog sitting next to me when I was standing on the hill. When I moved, he got up and moved with me. She said it seemed very in tune with me, alert to everything. Then she got up to the top of the hill and there was no dog.  She almost asked, “Where’s the dog?” then realized that it was a spirit dog.

The night before we’d played with the dog, Tigger, in the hills, in the dark under a brilliant, starry sky. We rolled in the tall grass with him, wrestled, played, loved him. Tigger held my hand in his mouth. I felt his joy and liveliness, the dog spirit in him. The day before, after seeing so many deer, I came out to the forest, in darkness, with just a glisten on the grass in the night, and I remembered holding Farouk (my cat) in my lap, stroking his fur. Now I walked upon the earth, the grasses her hair, and I felt the earth as a living being, a life with a spirit. I walked upon her fur.

After breakfast on Sunday I went walking in the woods. I heard four rapid shots down by the river. I knew it was a deer hit. I went down, drawn to the scene, drawn to see, to witness the slaughter. Fear and horror in the forest. I felt it, and walked in the river bottom lands, - the peace and harmony gone. Then I saw it – bright red drops of blood on the oak leaves. And then more blood, a trail of blood spattering the forest floor, the wounded deer followed a deer trail, fleeing fast, leaves covered with blood, wet, fresh, the shots having ripped through flesh, it having happened only moments ago. The horror of these hunters who kill for sport, with no feeling for what they do. A deer, symbol of innocence, of wildness being blasted. Why? [Perhaps they needed the meat? I was a vegetarian back then, with no tolerance for meat eaters.] I followed the trail until it disappeared. I ran into a hunter, who wanted to know where my husband was. I just stood there, looking at the blood. He couldn’t figure me out.

That night, Val and I prayed before our meal and to the spirit of the deer: “Please forgive us humans for what we do.”

The next day, still grey, - it had been grey and misting all weekend. I walked again. Saw a blasted apart grouse and again found blood down by the river. I picked up a leaf with blood on it, then buried it in the sand with a prayer that no more deer be killed. “May the weather be bad, stormy, wet and cold so that no one will want to hunt.”

Four days of walking in the soft grey and brown country, blood on the mat of oak leaves covering the river bottomlands.

 -----------------------

Finally… the end of hunting season.                                      

It has been a nightmare, all this killing. Even here in the city I feel it, the part of me that belongs to the country, feels it, and suffers with the forest creatures. Squirrels, deer, grouse, pheasant. I walked in the forest and felt how it was changed. Quiet. Deadly. Gone the nurturing deep peace I seek there. Squirrels cautious, their movements stilled, the breath of the forest stalled. I felt it, felt how it was for the creatures, being hunted, running, hiding, always alert, watchful, uneasy, because that is how it was for me – a woman, seeking solitude, remoteness in the country. The refuge I seek, the nourishment, the rest for my city-battered soul, the oneness I experience with the land, the flow of my spirit – all denied, broken into, intruded upon, invaded. Behind every tree the threat of a man with a gun. I am feeling terribly sensitive, closer to sensing the spirit of things. [Note: Partly because I was so ill with something that had no diagnosis and that mysteriously went on and on for months, with relapse after relapse, and which years later was diagnosed as Lyme Disease.] 

Such ecstasy in being in the country - the deep, deep touching down into my soul, the relief, the pleasure, the deep fulfillment of walking in the country. And the other world, the beyond-ness, is coming through stronger and stronger. More and more I am present with it. The manifestations have been numerous. I am awe  at the appearances: a raccoon walking up to me, a red fox frisking in the grassy hills, a fat badger sunning herself by her hole, and deer approaching close, suddenly jerking away. Their presences always so sacred.

And we've been coming to the country often, every week this summer, so that Val and I saw the changes in the land, the bursting life, flowering, fruiting and dying. All the different wildflowers: bloodroot, marsh marigolds, skunk cabbage, rue anemone, asparagus, dogwood, dogbane, basswood, Jack in the Pulpit, Forget-me-nots, black-eyed-Susan's, sunflowers, northern bedstraw, harebell, mullein, bread and butter, the prairie grasses: big and little bluestem, slough grass, needle and thread, Canada wild rye, Indian grass, wild oats, and ragweed. Blessed holy thistle, goldenrod, butternuts, raspberries, blackberries, wild plums, wild grapes, ground cherries, choke cherries, gooseberries, wild staghorn sumac, poplars, birch, oak, white pine, cherry,  juniper, and boulders, and the river, the blue vervain, swamp milkweed, beaver, fish, weasel, geese, carp, willow trees, sand bars, river current, river sands, river mud, ahhh………

And then there was the meteorite that arced before us one night just as we stepped out of the forest. For several hours, we had been walking as darkness descended in the forest. The forest opened up into the fields and hills, the breath of the night air flowed towards us from the fields, and the ground suddenly lit up at our feet. We looked up to see a meteorite pass over the fields, a glowing ball of fire, silent as a star.

 ___________________________________________________________

 

 

Full Moon Over Trees In Winter

 

after hunting season is over 

 

spirit of all deer

turn your listening ears

to the face of winter

the season of leaves and hunters and fear is over


after the wildness of your fear

healing snows restore

the even breath of the land,

blows steady

becomes tame

 

the air gives up its turbulence

quiet is upon the land

not as before -

when even the owls were silent

 

 

_________________________________________________________
 


Journal writings  October 30, 1974

Ceremony for the end of my first love affair

I am waiting for the explosion on the other side of the ocean in Rome, where Angelo will read my letter and it will all be over. I still have not admitted, deep down in myself, that it is over. I feel I have burned my own dwelling, I have overturned my own couch on which someone was resting, I have pricked the skin and harmed he who was sleeping on the couch...there is mostly darkness.

I had found a stick that twisted around itself forming a loop, a union, and I held it for a long time, feeling it was a symbol that held some obscure meaning. I ran through the forest on deer paths, through dense clusters of frilly green ferns as dusk turned to darkness. I ran holding the looped stick in front of me, as a THING to hang on to.

I reached the river bottomlands and saw the smooth, black water and smelled the cold river mud. My feet sank into the mud as I walked quickly, not even sure where I was. Coming out of a ravine, I crossed the road to the river. I followed the road, running in the near darkness, holding the stick high above my head, panting. I came to the river bank and crouched on the sand until it became very dark.

I walked up the steep road bordered on either side by thick forest. At the top, the road opened into the field, the air rushed at me, turning grass heads all in the same direction. I looked to my left and saw the full moon, big as a Chinese gong hanging over Lightning Hill. I was dazzled. I bent and swayed, dancing to the moon, holding the stick in both hands high over my head like an offering. There was a feeling of some kind of ritual enactment as I held up the stick hoop and looked through it at the moon. On impulse I broke the stick with my two hands, then cried at what I had done. I felt a lonely pain well up inside me. "What have I done? I shouldn't have broken it!"  A sense of loss filled me. "But I had to do it!"  I spoke aloud. 

Something sacred had been broken. That stick had been an intact hoop of meaning only a moment ago. I had carried it through the forest and down to the river, then back up to the moonlit field. Now it was just cold, dead, broken sticks I held in my hands. And so it was done. 

Feeling the deep loss, I felt I had to give it some dignity, honor what had been. I walked to the top of Lightning Hill, built a little fire and burned the broken hoop. I felt the final spurt of warmth it gave off in yellow flames. I added some wood to the fire. The flames grew higher, the fire warmer. I could have gone on all night tending and feeding the flames, but I let the flames sink and finally flick out, leaving the grey ashes and red smouldering coals.

It's over. Over, all over.

I went back to the cabins to sleep.

 

 

 

 

Wednesday, November 2, 2022

Winter

 



Most of the stories about the tribal trickster [naanabozho] are not sacred, wicked, or wise; rather the trickster is eternal motion and transformation in the stories. 

           -------Summer in the Spring, Anishinaabe Lyric Poems and Stories, Gerald Vizenor 

 

 

winter's night

there is something out there

all day and all night the stir

of warm blood and wild impenetrable eyes


inside the little shack

a blaze glows at the cracks

of a cast iron stove while the sun dies

 

across wooded river bluffs

dragging the last bloody blanket

from this lost Wisconsin river valley

 

the starry evening of this day

bankrupts a whole year of beginnings

what belongs to the world

is given back to the world

in a dream that was dreamt centuries ago

by the original thief and murderer

who is out there, waiting,

waiting for bodies, waiting for

me 

 

 ---------------

 


 


The following are journal writings from the 1970's


December 28th, 1975   St. Croix River, Wisconsin

A fly has just been brought to life by several hours of heat furnished by this wood burning stove. So I function as the deceiver. It was waiting for spring and I have made it to live in the dead of winter. Is it a real fly or a dream fly? According to children, it is "real" because it lives. Anything dead is unreal.

 As I watch, it rubs two legs together. I know that I have dreamt this moment, in Wisconsin, in a shack built by my father overlooking the St.Croix River. I have dreamt it and now I am in the process of dreaming it. The fly is a dream fly, it is real in my dream. It has turned itself around on its spot on the wall and I am real in its dream, and in the dream of this forest shaking its branches in the high winter wind. The night time weather dreams I am here, and so truly I shall take another log and place it in the flames, before turning out the light and going to bed, dreaming that I am asleep, dreaming that I am dreaming.

 

Night song:

loss

dream

loss

dream

dream

dreaming

loss

 

chant   chant   chant

chant

chant

chant

 

loss

loss

loss

silver birch, winter, wait...

 

spring

summer

summer

summer                                  

 

The next day

Oh the ecstasy of being alone! Nothing to do but dip into my unconscious, and the river bluffs hold high my heart. My breath rains out of my eyes and the top of my head to the river valley below where time is measured in an arc flowing past my vision.

Having placed myself here, an admitted visitor to my own self, I dedicate an expedition, with a ribbon of windows to look out when thoughts become too intricately tangled.

A bed, a fire, a teapot, a commode, a chair - from one to another I pass, the ceremony dictates itself. My walks by the river and in the fields, border my thoughts with the exact same security of a view framed by a window.

Walking in the morning down by the frozen river, slabs of ice piled up on the banks. Thinking of animal tracks: the snow recorded them as if they all happened at once, a crossing of separate paths that was no meeting at all. Snowflakes accumulate and make something other than themselves, threads weaving a blanket and the act of covering is born. With such cold air, the earth needs a cover. 

Winter is the season of dream, of dens and hibernation. The dream takes form around what is already there, sprinkles images of light and creates pockets of darkness in the forest's feet. Flesh gives way to bone and song to whistle. Tight, strong buds tip the ends of twigs while old leaves sleep in the snow. I walk, breathing in the cold air, and my footsteps seek the earth under the packed snow. My eyes fasten on a leaf, a bright spot moving across the sky, the network of roots exposed where the road has cut into the hill. The question: who is ascending this wooded river road which opens into the field?

 

The second night

Tonight there is a great wind rising and falling outside this shack, this ark in the ocean of sound. The darkness is deeper, winter more thrilling. There is the river, a train and incessantly the wind... and you, Jorge Luis Borges, say there is time? Layers of dream and points of waking, recalling.

The third night

The wind has died down and it is very still. I have made the fire too hot. Simple to remedy. I open the door wide and look out at the night. I was inside most of the day, gathering wood, writing...it seemed it had barely gotten light when night began to fall. It has been the greyest day so far. I gained some satisfaction writing a poem, the inner concentration allowed me to see more vividly and freshly when I got up to look down at the river, seeing so clearly the arrangement of trees, dark tree trunks, snow and the river bank. 

I began my walk at the perfect time: dusk was on the verge. I left a lamp on in the cook cabin, knowing that it would be dark when I got back. Following the road, then letting intuition be my guide, I made for the pine trees, but then turned towards the hills, preferring the white rise of a hill against the grey sky to the darkness of the forest. Trudging up the hill, I seemed to be watching myself, my clumsy booted feet in the snow climbing the hill.

Then the beauty of the hills with stiff, yellow grasses sticking through the snow - Gary's words so perfect: the "belted down prairie." [Gary Nabhan's poetry.] I walked into the white prairie sea, under the fast darkening sky, following a snowmobile path. I looked down and noticed a deer track. It was now fully dusk and I could see nothing clearly, only the deeply familiar shapes I know from walking this land in all seasons. 

When I saw the deer track, I thought, "Yes, this is where the deer are. I should see some now,"  although I had seen no animals other than birds in the past few days. I turned and saw two deer. They stopped and stared, then moved slowly over the far hill. One was smaller and followed, two dark shapes against the snow, and then they were out of sight. The sound of them moving in the snow came back to me, and then there was silence. Cold and still...winter's darkness is deep. 




 

 

                                                    

 

A Childhood in the St. Croix River Valley

  When I was seven years old, growing up in the big city of Minneapolis, something wonderful happened to our family - my parents bought a fa...